|
|
|
|
|
Levinus Memminger Michael Wolgemut
Painting ID:: 42243
|
Albrecht Durer
Levinus Memminger Michael Wolgemut
mk168
335x230mm
|
| |
|
|
|
|
|
|
|
|
|
Christ on the Cross between the Virgin and St.John
Painting ID:: 42245
|
Albrecht Durer
Christ on the Cross between the Virgin and St.John
mk168
Pen and ink on paper
310x227mm
|
| |
|
|
|
|
|
|
|
|
|
The Virgin on a grassy bench
Painting ID:: 42246
|
Albrecht Durer
The Virgin on a grassy bench
mk168
engraving
122x84mm
|
| |
|
|
|
|
|
|
|
|
|
One of the Foolish Virgins
Painting ID:: 42247
|
Albrecht Durer
One of the Foolish Virgins
mk168
120x84mm
|
| |
|
|
|
|
|
|
|
|
|
Youth kneeling beffore the judge
Painting ID:: 42248
|
Albrecht Durer
Youth kneeling beffore the judge
mk168
Pen and ink on paper
252x189mm
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
Albrecht Durer
|
|
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since. |
|
Related Artists::.
| John Rogers Herbert | CRESPI, Giuseppe Maria | Hippolyte camille delpy | |
|
